All except the music

一位老师为了让学生体验古典音乐的魅力,组织了一次音乐会之旅,并为学生们准备了柠檬水、蛋糕等小食。活动结束后,老师询问学生Sally是否喜欢这次活动,Sally表示除了音乐之外都很喜欢。

A keen young teacher wanted to introduce her class to the glories of classical music, so she arranged an outing to an afternoon concert. To make the occasion even more memorable, she treated everyone to lemonade, cake, chocs and ices. Just as the party was getting back into their coach, she said to little Sally, "Have you enjoyed yourself today?"     "Oh, yes, miss!" said Sally, "It was lovely. All except the music, that is."

注:转贴的短文除别有注明外,均转自中国日报网2006期

     本人摘其中有趣的贴出.

翻译成中文,只做翻译: 9. Conflict Resolution A conflict occurs when a Multicast DNS responder has a unique record for which it is currently authoritative, and it receives a Multicast DNS response message containing a record with the same name, rrtype and rrclass, but inconsistent rdata. What may be considered inconsistent is context sensitive, except that resource records with identical rdata are never considered inconsistent, even if they originate from different hosts. This is to permit use of proxies and other fault-tolerance mechanisms that may cause more than one responder to be capable of issuing identical answers on the network. A common example of a resource record type that is intended to be unique, not shared between hosts, is the address record that maps a host's name to its IP address. Should a host witness another host announce an address record with the same name but a different IP address, then that is considered inconsistent, and that address record is considered to be in conflict. Whenever a Multicast DNS responder receives any Multicast DNS response (solicited or otherwise) containing a conflicting resource record in any of the Resource Record Sections, the Multicast DNS responder MUST immediately reset its conflicted unique record to probing state, and go through the startup steps described above in Section 8, "Probing and Announcing on Startup". The protocol used in the Probing phase will determine a winner and a loser, and the loser MUST cease using the name, and reconfigure. It is very important that any host receiving a resource record that conflicts with one of its own MUST take action as described above. In the case of two hosts using the same host name, where one has been configured to require a unique host name and the other has not, the one that has not been configured to require a unique host name will not perceive any conflict, and will not take any action. By reverting to Probing state, the host that desires a unique host name will go through the necessary steps to ensure that a unique host name is obtained. The recommended course of action after probing and failing is as follows: 1. Programmatically change the resource record name in an attempt to find a new name that is unique. This could be done by adding some further identifying information (e.g., the model name of the hardware) if it is not already present in the name, or appending the digit "2" to the name, or incrementing a number at the end of the name if one is already present. 2. Probe again, and repeat as necessary until a unique name is found. 3. Once an available unique name has been determined, by probing without receiving any conflicting response, record this newly chosen name in persistent storage so that the device will use the same name the next time it is power-cycled. 4. Display a message to the user or operator informing them of the name change. For example: The name "Bob's Music" is in use by another music server on the network. Your music collection has been renamed to "Bob's Music (2)". If you want to change this name, use [describe appropriate menu item or preference dialog here]. The details of how the user or operator is informed of the new name depends on context. A desktop computer with a screen might put up a dialog box. A headless server in the closet may write a message to a log file, or use whatever mechanism (email, SNMP trap, etc.) it uses to inform the administrator of error conditions. On the other hand, a headless server in the closet may not inform the user at all -- if the user cares, they will notice the name has changed, and connect to the server in the usual way (e.g., via web browser) to configure a new name. 5. After one minute of probing, if the Multicast DNS responder has been unable to find any unused name, it should log an error message to inform the user or operator of this fact. This situation should never occur in normal operation. The only situations that would cause this to happen would be either a deliberate denial-of-service attack, or some kind of very obscure hardware or software bug that acts like a deliberate denial-of-service attack. These considerations apply to address records (i.e., host names) and to all resource records where uniqueness (or maintenance of some other defined constraint) is desired.
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10-18
Loading pipeline components...: 100%|██████████████████████████████████████████████████████████████████████████████████| 6/6 [00:09<00:00, 1.56s/it] You have disabled the safety checker for <class 'diffusers.pipelines.stable_diffusion.pipeline_stable_diffusion.StableDiffusionPipeline'> by passing `safety_checker=None`. Ensure that you abide to the conditions of the Stable Diffusion license and do not expose unfiltered results in services or applications open to the public. Both the diffusers team and Hugging Face strongly recommend to keep the safety filter enabled in all public facing circumstances, disabling it only for use-cases that involve analyzing network behavior or auditing its results. For more information, please have a look at https://github.com/huggingface/diffusers/pull/254 . Token indices sequence length is longer than the specified maximum sequence length for this model (1513 > 77). Running this sequence through the model will result in indexing errors The following part of your input was truncated because CLIP can only handle sequences up to 77 tokens: [". a sunlit sky gives a daytime feel but could be bright or maybe at night for a different vibe . adding clouds and birds in flight can enhance the futuristic feel without being too distracting . now , the city itself . neon lights are essential — like the ones on buildings , streets , and vehicles . they create that glowing effect which is common in sci - fi settings . the streetlamps should have a modern twist , maybe with neon colors changing over time to show a dynamic look . flying cars need to stand out . maybe have a variety like convertibles , sports cars , and trucks for realism . the colors could shift based on the type — like metallic blue for a sleek car and neon yellow for something flashy . adding white led lights around the wheels would make them pop . the interiors of these cars should be high - tech . glass windows with holographic digits display info while privacy screens keep passengers safe . seats made from something futuristic , maybe carbon fiber or something that looks high - end . the controls on the dashboard could have touch - sensitive panels for a smooth experience . the city 's architecture is another point . tall skyscrapers with transparent facades letting neon light through gives an otherworldly effect . skyscrapers as flying pads where people can take off into space adds a cool element , and a central hub or floating island with its own skyline would make the city feel interconnected . lighting effects are crucial . neon signs that react to movement using led technology could add some dynamism without being too bright . mirrors on buildings reflecting light like a digital canvas makes them look more alive and interactive . including technology elements , like plasma displays on walls showing info or projections onto flying cars adds depth . the city as a living organism with pulses of neon lights and moving parts gives it a life - like feel despite being man - made . in the evening , the city becomes an illuminated maze where lights dance and flicker , creating an ethereal atmosphere . at night , spaceships take off from docking stations add another dimension to the futuristic vibe . i should also consider how these elements work together . the flying cars moving through neon - lit streets with skyscrapers reflecting light creates a seamless , interconnected cityscape . the high - tech interiors enhance the futuristic theme without overwhelming the viewer . overall , this cityscape is a blend of high technology and vibrant colors that make it look both luxurious and thrilling . it 's designed to evoke an exciting environment where innovation meets entertainment . </ think > the concept of a futuristic cityscape featuring flying cars and neon lights is a classic sci - fi image that has been popularized in movies , video games , and architectural designs . here ’ s how such a cityscape might be imagined : ### 1 . ** sky as the backdrop ** - the sky would be either sunlit or at night , casting a glow on the clouds and reflecting off of birds flying overhead . - a few planes glide past in the distance , adding to the sense of air travel . ### 2 . ** the city itself ** - the city is a seamless , futuristic metropolis where architecture and technology are at their finest . - ** neon lights **: every building has neon signs that pulse and flicker in time with music or ambient sounds . the lights on the buildings could change colors , patterns , and even respond to movement ( e . g ., cars passing by ). - ** falling skies **: a thin , glowing barrier of light orbits the city at night , creating an ethereal effect . - ** sky - light **: a network of small solar - powered lamps suspended in mid - air that provide soft , diffused light to a wider area . ### 3 . ** flying cars ** - flying cars are abundant and serve as transportation throughout the city . - they come in various types : convertibles , sports cars ( with no engines but pure aerodynamics ), and cargo trucks for those who need to carry packages or people . - the exterior of these cars is covered in sleek materials that reflect the neon light . the interiors are high - tech , with glass windows displaying holographic digits while privacy screens cover sensitive information . - the tires have white led lights that glow as you ride , and the wheels spin when you brake or accelerate . ### 4 . ** car interiors ** - the seats are made of a material that seems almost liquid - like , with buttons on the dashboard that respond to touch ( e . g ., pressing them changes the car ’ s interior lights ). - the steering wheel is covered in holographic panels that show real - time data about speed , temperature , or other parameters . - seats are made from high - tech carbon fiber that can be reconfigured . ### 5 . ** the skyscraper metropolis ** - ** tall buildings **: the city ’ s skyscrapers have transparent facades that allow the neon lights to filter through and create a dazzling effect on the streets below . - ** sky - light as flying platforms **: at the top of some skyscrapers , there are platforms or landing pads where people can take off into space via flying cars . - ** central hub **: the city has a central hub or floating island that serves as a convergence point for all traffic and has its own miniature metropolis with neon - lit buildings . ### 6 . ** lighting effects ** - ** neon reactions **: neon signs react to movement , such as people walking through them ( the lights change color based on the surrounding environment ). - ** mirror reflections **: the glass exteriors of the skyscrapers reflect and refract the neon light into a kaleidoscope of patterns . - ** plasma lighting **: walls or ceilings have plasma panels that show changing colors and messages in real - time . ### 7 . ** the night city ** - at night , the city becomes an illuminated maze as lights dance and flicker in rhythm with music played by holographic performers embedded in buildings . - some areas are completely dark except for the neon lights of individual cars or buildings . ### 8 . ** higher - ledgered spaceships ** - the city is connected to outer space via a network of small , floating spaceships that orbit above ground and dock at the skyscrapers . - these spaceships have their own versions of flying cars with high - tech interiors and are constantly being serviced by shuttles from the city . ### 9 . ** interactive features ** - the neon lights on the buildings react to the presence of people , creating an interactive experience as they move through the city . - some buildings have holographic walls that project digital canvases onto them , changing with music or messages . ### 1 0 . ** the sky is the limit ** - the entire city seems to be floating on a layer of neon light , giving the impression of being part of an organism rather than a machine . - at night , the city pulses and breathes , with lights reacting to air traffic as if it were alive . this futuristic cityscape would combine high - tech elements like flying cars , advanced materials , and dynamic lighting to create a place that is both luxurious and thrilling . it would be designed to evoke excitement and wonder while also showcasing cutting - edge technology in architecture and transportation ."]
08-26
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