本文基于一项大型行业驱动的无声电动车辆声音设计实验，探讨了声音签名这一未被充分研究的领域。通过回顾观察，我们提出了一种后分析方法，旨在深入了解声音设计作为一门学科的地位、设计师的角色以及它在科学与艺术之间的独特位置。文章的主要目标是增进对声音设计的整体认识，并从其原理、实践和流程的角度进行研究。
摘要：
This article builds on a large industry-driven sound design experiment focusing on the underexplored area of sound signature for silent electric vehicles. On the basis of some retrospective observations, and in the conceptual framework of design research, we propose a post-analysis that leads to provide insights on sound design as a discipline, considering its status, the status of its performers (sound designers), and its specific position between science and arts. The main aim of the article is to contribute to increase the general knowledge on sound design and to study it from the perspective of its principles, practices, and procedures.
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