随着摄影技术的快速发展，如轻便设备与新型感光材料的引入，摄影速度显著提升，这一变革带来了意外的后果。摄影师如Eadweard Muybridge和Etienne-Jules Marey的科学实验揭示了人类和动物运动的真实状态，与传统艺术表现大相径庭。艺术家被迫接受相机提供的证据，而未经摆拍的真实摄影进一步证实了这些科学发现，同时暗示了新的构图形式。艺术家如法国画家Degas开始模仿偶然摄影的效果。
注意插入语
The rapid technical development of photography-the introduction of lighter and simpler equipment, and of new emulsions that coated photographic plates, film, and paper and enabled images to be made at much faster speeds-had some unanticipated consequences. Scientific experiments made by photographers such as Eadweard Muybridge (1830-1904) and Etienne-Jules Marey (1830-1904) demonstrated that the movements of both humans and animals differed widely from the way they had been traditionally represented in art. Artists, often reluctantly, were forced to accept the evidence（上文的differ） provided by the camera. The new candid (telling the truth, even when the truth may be unpleasant or embarrassing) photography-unposed pictures that were made when the subjects were unaware that their pictures were being taken-confirmed these scientific results, and at the same time, thanks to the radical cropping (trimming) of images that the camera often imposed, suggested new compositional formats. The accidental effects obtained by candid photographers were soon being copied by artists such as the French painter Degas.
分析句子成分，找主干
先保证争取率，然后速度
Because the medium was so prolific, in the sense that it was possible to produce a multitude of images very cheaply, it was soon treated as the poor relation of fine art, rather than its destined successor.
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